My Production Blog: It's the Little Things That Unite Us
As I embark on what I consider the most ambitious project of my career, I am sending a query to a few artist colleagues whose work has inspired me over the years. It has been an exciting process to identify a progression of tasks on the way to clarifying a vision, script and storyboards. I am pulling out all the stops and getting guidance where I can find it and hopefully that means with a little help from my friends.
I am good about asking for what I want….and hope my friends will indulge me. I realized that perhaps I could answer my own questions, partially to give my friends an idea of what I was fishing for and see what happens. I was amazed, it was a great revelation to explore these ideas purely as a visual artist, not as a media maker researching a project.
This is how I answered my questions.
How do you see/experience the connection of all life on earth?
I “feel” it as I honor my intuitive self. I have heard this idea of connection elaborated for most of my life. I read Lao Tzu every day and he speaks of the Oneness of Things.
Can you think of examples of artwork that successfully communicate the connection of all life?
This was the big surprise for me, I didn't anticipate how quickly the answer to this question would come to me. If I were to identify a body of work, it would be a Chinese landscape scrolls, like the ones I first encountered at my beloved Freer Museum in Washington, DC. The images are expansive but fluid, peaceful and all encompassing. They tell stories with many moving parts but one cohesive vision.
This scroll, found at the Metropolitan Museum of Art, is a good example of what I find so compelling about Chinese scrolls. Reproductions fall short but hopefully this will bring images to mind you have seen in person.
|Summer Mountains, 1050 AD, Attributed to Qu Ding Chinese|
|Detail, Summer Mountains, 1050 AD, Attributd to Qu Ding, Chinese|
Have you created artwork that specifically addresses the issue of the connection of all life?
I have. My Stone Circle drawings, a series of mandala-like drawings that had their genesis in the 70’s speaks to this idea. I was inspired by sacred geometry, introduced to me through Islamic art and Buddhist mandalas. The circle is inclusive and represent the Oneness of things. The stones are a connection to remote and distance places in time and space. The flora and fauna were objects that captured my attention when the drawing was being made. This is intuitive and not to be explained.
Stone Circle 2, 48" x 52", mixed media on paper.
Since that series was completed, I make work that encourages careful observation of the natural world through the objects I find most beautiful and compelling. This has been done with individual images, not in relationship as they are in the Stone Circle drawings.
Right now, I am particuarly fascinated by the genius of leaves. Mother Nature's solar energy power houses whose second act is as a nutrients for new life. Mother Nature wastes nothing..and that's genius.
Sycamore Leaves, 22"x30", mixed media on paper
I look forward to sharing with you what I learn from my friends and colleagues.
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